The Top 31 of 2006: AKA The Longest Blog Entry You Will Ever See!

Camera Obscura: "Let's Get Out of this Country"
Released: June 6, 2006

Just for a moment, pretend that you're in Scotland in the 1960s. You are bored as hell and deperately searching for something to ease your stimulation-starved mind. Your friend stops by your house and tells you to get in his car. The two of you are going to see this really groovy band! Then you get to the venue and find Camera Obscura, solemnly rocking out in their button-up sweaters with organs and 3-part harmonies. It's a situation that is entirely impossible, but one listen to Camera Obscura's 2006 release, "Let's Get Out of this Country" will have you believing in miracles! Their sound is straight out of the sixties, without a single guitar pluck or cymbal crash giving away the fact that they're actually a bunch of young people from Scotland desperately trying to convince the world that it's not 2006! Their lack of acknowledgement of current rock trends, both mainstream and indie, is overwhelmingly refreshing and every song on this album is enthusiastically crafted to put a smile on your face, even in the solemn moments. It'll make you remember how good music once was. It'll make you realize how far music has come (or rather how far we've regressed). Most importantly, however, it'll make you wish that that simple, imaginary Scottish life was not only real, but eternal. Sure, let's get the out of this country, but let's get the hell out of this century and go back to that time and forget about Angels and Airwaves, My Chemical Romance, and Green Day!

That's the kind of album that Camera Obscura has created. My #31 album of the year!


Top 31 Songs of 2006: #31
Neko Case - "Hold on, Hold on" from the album Fox Confessor Brings the Flood.
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Mastodon: "Blood Mountain"

Released: September 12, 2006

There has been an All-Points-Bulletin out since Mastodon unleashed the beast of an album that is "Blood Mountain." It's not for an escaped prisoner or a sexy Washington intern. Hell, it's not even for a human being. No, this APB was instated for one thing, well, two things. My balls! Yes, it seems as though my balls have been severely rocked off by "Blood Mountain," and I'm surprisingly okay with that. Odd, considering I am in no way a fan of metal. Aside from Dillinger Escape Plan's "Miss Machine," the genre was, to me, a vast wasteland of no-talent ass clowns trying to prove their manhood by playing louder and faster than competing no-talent ass clowns. But Mastodon has a surprising amount of talent, which secures the band a spot at the top of the metal food chain, even if they're towards the bottom of my list. Make no mistake about it, "Blood Mountain" is one of the finest rock albums of the year, and probably one of the most solid metal albums ever! If you're into that genre, you've probably already heard this album. If you're not, first, congratulations! Second, go buy it! You have no excuse not to.

Mastodon makes it all the way to #30 on my top albums of 2006. Hopefully my balls will survive.

Top 31 Songs of 2006: #30

The Pipettes - "Pull Shapes" from the album We are the Pipettes.

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Destroyer: "Destroyer's Rubies"
Released: February 21, 2006

"La, la, la, la, la, la, la, la, la. La, la, la, la, la, la, la, la, la. La, la, la, la, la, la, la, la, la. La, la, la, la, la, la, la, la, la." Thus goes the chorus to my favorite song on Destroyer's 2006 album, "Destroyer's Rubies." Dan Bejar, also of The New Pornographers, really didn't spend a lot of time writing lyrics for the chorus' on a lot of songs on this album, but that's more than okay because when he actually does write lyrics, they come off as genius. "She needs release. She needs to feel at ease with her father, the f***in' manic," still sends chills down my spine when I hear it. Even if Bejar's voice is an acquired taste, which it is, you can't really deny the sheer musicianship that coats every second of this album. Aside from the lyrics, and Bejar's vocal delivery, the guitar on "Destroyer's Rubies" is often breathtaking, most notably on "European Oils." Yeah, it's a really good album. The only problem is its lack of longevity. Aside from a few songs on here, the rest of them got old by August or so. The rest though, well, they're classic.

Dan Bejar makes it into the #29 slot, and he did it by saying "la." Sweet.


Top 31 Songs of 2006: #29
Belle and Sebastian - "White Collar Boy" from the album The Life Pursuit
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Emily Haines: "Knives Don't Have Your Back"
Released: September 19, 2006

I need to fall asleep. It's been hours now, just lying around in bed, waiting for my body to final give in. It's not going to happen. I get up, watch TV. I lock an oscillating fan and stare directly into its breeze in a failed attempt to dry out my eyes and make me sleepy. Nothing is going to work. I will be awake for the rest of my life. I'm going to be like Edward Norton on Fight Club. I glance over my shoulder to make sure I don't have my very own Tyler Durden. I don't. It's infomercial hour. Nothing except Full House on Nick at Nite. I turn off the TV and head over to my CD collection. Nothing looks good. But wait, what's this? It's Emily Haines' debut solo album, "Knives Don't Have Your Back." What the hell, I think. I put it in for a spin and lay back down in bed. Slowly but surely, I am overcome by sleep. Beautiful, peaceful sleep. I meet a beautiful young lady in a coffee shop. I hate coffee. We talk, and laugh and I tell her about my mundane life and my brooding insomnia. She laughs and tells me that her life is not so special either. "I'm going to get some cheesecake," she says, "Do you want any?" I shake my head. I never see her again. I wake up. "I'd rather give the world away then wake up lonely," sings Emily Haines, and I realize that I know exactly what she means.

"Knives..." is an album spiced with beauty and pain, and probably the best lyrical performance of 2006. If you haven't heard this album, you really need to. For being a kindred spirit, Emily Haines is #28.

Top 31 Songs of 2006: #28
Incubus - "Dig" from the album Light Grenades.
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The Mars Volta: "Amputechture"
Released: September 12, 2006

2006 was an amazing year. The Democrats won control of congress, the Nintendo released the Wii, "V for Vendetta" was finally released, and The Mars Volta single-handedly changed the spelling of "disappointment" from D-I-S-A-P-P-O-I-N-T-M-E-N-T to the much more fitting A-M-P-U-T-E-C-H-T-U-R-E. The Mars Volta has always challenged conventional thinking through their music and lyrics, but this year they pulled out all the stops and actually redefined a word in the English language. Golf claps all around for this amazing band! Once I tried to make the word Lennon part of the vernacular to be associated with, well, something, but it didn't work. Why? Because I didn't have the passion, drive, and talent that The Mars Volta has. I mean, who else can say that they rock so hard, so often that it becomes boring. Who else could say that they beat the coolest rock music of the last decade to death by shear lack of evolution? No one! The Mars Volta has that title in the bag!

And for that, The Mars Volta lands at #27 on my Top 31 of 2006.


Top 31 Songs of 2006: #27
The Streets - "War of the Sexes" from the album The Hardest Way to Make an Easy Living.
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Built to Spill: "You In Reverse"
Released: April 11, 2006

Five years. In the five years that it took Built to Spill to release "You In Reverse," a lot of things happened. The 9/11 attacks, the war in Iraq, the reelection of George W. Bush, the No Child Left Behind Act. Lots and lots of things happened in this country, and Built to Spill chose to write their songs on subjects completely unrelated to the ongoing affairs of the United States. Thank God! It seems like every band in the world has to release at least one song about how they should be President and how gay people should marry, how we should hug Osama Bin Laden, or how they "hope (Bush's) drunken daughters are gay!" (a direct quote from Stars' 2005 album). So on that note, you have to give it up to Built to Spill. Do they care about these subjects? I'm sure they do. But having been around as long as they have, I'm sure they know that the fans don't care about their political opinions, they care about great music. And Built to Spill makes great music. Leave the self-indulgent politicized songs to other ancient, dying rock acts like Bob Dylan and Neil Young. Built to Spill is old, but they're mature enough to know that sometimes it needs to just be about the music. While "You In Reverse" might not be their best album, it's good to know that they did what they do best; make great rock music!

For keeping it real, Built to Spill makes it to #26. Here's hoping the next album doesn't take half a decade!

Top 31 Songs of 2006: # 26
Tilly and the Wall - "Bad Education" from the album Bottoms of Barrels
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The Killers: "Sam's Town"
Released: October 3, 2006

I was On Top of the world before my Bones broke. I called up my Uncle Johnny to see if he could offer any sort of remedy. He said, "We'll go to Sam's Town. I know a guy named Andy who's got some good stuff. Don't worry. Everything Will Be Alright." He came over and helped me into the passenger seat of his car. We drove off. For Reasons Unknown, I felt save with Johnny. He was never really high up on My List of of favorite people. But tonight was different. An hour into the trip he began to tell me a story. "When You Were Young," he said, "Somebody Told Me you could Read My Mind. I knew this girl named Jenny, you see? Jenny was a Friend of Mine, and everyday I would count down the time until I got to see her next. Then one day I thought to myself, Why Do I Keep Counting? And you were there, and you answered my question for me. You said, 'Because you're Mr. Brightside!' You were right. Can you still read minds?" I looked at him, perplexed. He started laughing, and I cracked a smile. "C'mon," he said, "Smile like you mean it!" "Let's just get to Sam's Town," I said. "There's a Midnight Show I'm going to see tonight with Natalie." "Are you sure she's gonna be down for going with a cripple like yourself?" he asked. "Believe me, Natalie is better than that," I replied. "She's not after Bling and she's not into my high status because of All These Things That I've Done. She's just cool." He didn't believe me. "Just wait. You'll meet her one day. She'll Change Your Mind." We arrived in Sam's Town a few minutes later and we met up with Andy. He gave me some magical elixir that was supposed to heal my bones. Five minutes passed, and I was shocked to see that everything was back to normal. "Andy, You're a Star!" I exclaimed. And I went on my way...

For embedding catchy songs into my mind and having them weave throughout my every thought, The Killers make it to #25 on my Top 31 Albums of 2006.

Top 31 Songs of 2006: #25
Hellogoodbye - "Baby, It's a Fact" from the album Zombies! Aliens! Vampires! Dinosaurs!
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Calexico: "Garden Ruin"
Released: April 11, 2006

It's a shame when something like Calexico sounds fresh. It's not that it isn't, it is, but Calexico is really a perfect example of what music should sound like. You don't always need to be inventive. You don't need to have complex compositions, full backing orchestras, an enigmatic frontman, a hit single. You just need to play your music and enjoy doing it. Judging from their 2006 release, "Garden Ruin," Calexico may very well be the best band around today, and music's last-remaining hope. Why #24 then? Because though Calexico may be amazing and pure, that doesn't mean everything they do is phenominal. "Garden Ruin" is good, no doubt, but there is so much potential in this album that either goes untapped or unnurtured that most of it falls flat. There are brushes with brilliance, like the haunting "Yours and Mine" or the beautiful "Roka." But the latter moments of the album drift off and never really amount to anything. Despite this, however, one thing is for sure. If Calexico isn't one of the greatest American bands around today, then they sure do a good job of pretending to be.

For totally pwning most other bands, Calexico makes it to #24.

Top 31 Songs of 2006: #24

Muse - "Supermassive Black Hole" from the album Black Holes and Revelations.
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The Pipettes: "We Are the Pipettes"
Released: July 17, 2006

They sing "We are the Pipettes and we have no regrets. If you haven't noticed yet, we're the prettiest girls you've ever met!" and I think, "Oh yeah, I've noticed." And I've been noticing for some time now. I noticed the first time I read about them in Under the Radar Magazine. I noticed when I first got my hand on their album and fell in love with everything about it. And I noticed when "Dirty Mind" started playing on the #1 show in America, Grey's Anatomy. So again, I must repeat myself. Oh yeah, I've noticed. And if The Pipettes still have any doubt about people noticing them, it should be silenced. People are noticing. And people are liking. They have the same kind of sound that Camera Obscura boasts, only poppier, dirtier, and (admittedly) girlier. But what's not to love about 3 hot British chicks dancing around in matching polka-dot dresses and singing about the joys of one night stands? Honestly, I can't think of a thing. Getting a hold of this one will cost you a nice hunk of change, as it's import only, but honestly, you're dumb not to.

For giving me more pleasure audibly than visually (surprisingly), The Pipettes are #23.

Top 31 Songs of 2006: #23
Zero 7- "Futures" from the album The Garden.
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The Divine Comedy: "Victory for the Comic Muse"

Released: June 19, 2006

I had never heard of The Divine Comedy until a few months ago, so I definitely have some catching up to do. It also means that I'm close to two decades behind the rest of the world. My excuse is that I'm American, but I'm not sure if will actually suffice as a legitimate excuse. Regardless, "Victory for the Comic Muse" is brilliant all around. Masterful arrangements, moving lyrics, humor; they're all here. And they are relentless. If "To Die a Virgin" doesn't put a grin on your face, you may be lacking a pulse. If "A Lady of a Certain Age" doesn't make you think, you may be lacking a mind. And if "Arthur C. Clarke's Mysterious World" doesn't make you "WTF" all over yourself, you're probably a Briton in your 30s. It certainly is a wonderful collection of songs, and a noteworthy one at that. As far as 2006 goes, it is definitely a sleeper hit. So check it out. After all, I said so.

For totally ripping off Electric Light Orchestra and making it sound only moderately homosexual, The Divine Comedy sneaks into the #22 spot.

Top 31 Songs of 2006: #22

Destroyer - "European Oils" from the album Destroyer's Rubies.
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The Hidden Cameras: "Awoo"
Released: September 19, 2006

If Kermit the Frog was in his mid-thirties (rather than an ageless muppet) and sang "gay church music," chances are he would sound much like Joel Gibb, the lead singer of The Hidden Cameras. That being said, there's not a whole lot to cry about on "Awoo." It's a largely carefree album done right, which is really difficult to accomplish. I tried it a couple of times as Butt Nugget and the Silent Cane, Mates of State has done it a couple times, and Tilly and the Wall did it once. But other than that, I can't think of anyone to actually pull it off besides these guys. So to say that "Awoo" is fun doesn't really do it justice. There's more to it than that. It's creative, refreshing, beautiful at times ("Fee Fie"), and full of happiness. Add fun into that, and you should be tapping your toes in no time, unless of course you had both your feet chopped off in a tragic accident. Even then though, when life is as bleak and sorrowful as possible, you're still gonna want to tap your stubs on the ground, assuming that they'll reach now. Here's the point: it's a good album; a really, really, good album! And it's fun! There were a lot of good albums released this year, and this is one of the best!

For helping the one footless person who may actually listen to this album enjoy life a little more, The Hidden Cameras make it to #21.

Top 31 Songs of 2006: #21
The Killers - "When You Were Young" from the album Sam's Town.
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Belle and Sebastian: "The Life Pursuit"
Released: February 7, 2006

Say what you will about Belle and Sebastian. "They're gay!" "Their music is dumb!" "I'd rather smash my head into a brick wall than listen to Belle and Sebastian!" I don't care about you or what you think! Do you have your own blog that gets at least 3 regular visitors? Hell no! And the reason for that is pretty crystal clear from where I'm sitting. It's because your opinions aren't valid! So shut the hell up! "The Life Pursuit" is the first Belle and Sebastian album I've ever bought and/or listened to in its entirety. And guess what? It's awesome! If cinnamon toast had a distinctive sound, it would sound like Belle and Sebastian. It's all sweet and innocent and you just want to eat it all up! So yeah, their music may be kinda gay and maybe a little dumb, but a song like "White Collar Boy" or "Sukie in the Graveyard" is irresistible. Admit it! You love Belle and Sebastian! You want to receive Belle and Sebastian's seed! It's okay. Everyone else wants to do the same thing, and they won't admit it either. So go ahead and hang out with your loser friends who are "too cool" to admit that they like Belle and Sebastian! If that's your thing, that's your thing. Me? I'm gonna be over here by myself smiling, laughing, dancing, and snapping my effing fingers! And I'm cool with that! Get over yourself! Belle and Sebastian is the balls!

For making me all defensive and undeniably cute at the same time, Belle and Sebastian make it to #20.

Top 31 Songs of 2006: #20
I'm From Barcelona - "Treehouse" from the album Let Me Introduce You to My Friends.
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Neko Case: "Fox Confessor Brings the Flood"
Released: March 7, 2006

Are you listening? Good. Listen, we need to talk. Take off your Rabbit Fur Coat and have a seat. Right over there. OK. Now, I understand what you're going for. Patsy Cline was a cool chick back in her day. I might have even compared the two of you before this year. But things have changed. Don't cry. I'm not attacking you. I'm just saying, you don't have to try to be Patsy Cline. Just be yourself. You were a cool girl before this year, but you blew it. Your lyrics were always cool, and a bit quirky. But when you try to be Patsy Cline, you just come off as a bit retarded. It doesn't work. I was all for listening to your first solo-album, but come on! Who are you trying to fool? Besides, Neko Case's album came out two months after yours and just put you to shame. It's okay to quit now and just go back to what you're used to. None of us will care. We love you. That's why I'm talking to you like this. I just want you to realize that we love you, and we always will as long as you never make another solo-album again. At least not like this one. It's just not worth it. Do you understand, Jenny? Good. Now go out there and show us why we love you!

For making me say, "Jenny who?" Neko Case cracks the Top 20 of 2006.

Top 31 Songs of 2006: #19
Cursive - "Into the Fold" from the album Happy Hollow.
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Thom Yorke: "The Eraser"
Released: July 11, 2006

If you still like Radiohead, the consensus seems to be that you'll really like Thom Yorke's first official solo outing. Fair enough. I believe I even stated back in my review in July that this album is good enough to hold me over until Radiohead's next album (which better come out). Has it? Not really. You see, "The Eraser" is a very very cool album. When it was released I praised it's ability to be simplistic and still seem complex. After about a month, though, you realize just how simplistic it is. It's a loop, most often, and Thom Yorke singing. Don't discredit it though. These are pretty cool loops, and Thom is still a pretty talented vocalist. But after you listen to it a dozen times, there's nothing left to experience. You've heard everything. There's nothing new to find. It's like a pop album, but lacking in strong hooks. With the exception of "This is f*cked up, f*cked up. " there's not really a hook that will catch you and keep you listening. As such, I'd like to change my initial rating from a 5 out of 5 Stars to a 7 out of 10 Stars. This is an incredible album, but far from perfect. That being said. Get it. If you don't, you might be an idiot. Just maybe....

For giving me one of the best months ever, Thom Yorke (read Tom York) is presented with this fabulous spot on my list.

Top 31 Songs of 2006: #18
Sia - "The Church of What's Happening Now" from the album Colour the Small One.
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Sufjan Stevens: "The Avalanche"

Released: July 11, 2006

How do you follow up one of the best albums of all time? You don't. You milk it for all it's worth. At least that seems to be Sufjan Stevens' plan. "The Avalanche," a collection of outtakes and extras was released this July, a year after his 2005 masterpiece "Illinois" came out. So the big question is, how is it? The answer is a resounding "fantastic!" Ever since Stevens' first foray into making albums about states, he hasn't really disappointed. In many ways, "The Avalanche" is so good that it really shouldn't be considered an outtakes album, but rather a sequel to "Illinois." It has the same spirit, craftmanship, and love as its predecessor, and it's even longer in minutes! So I ask you, everyone, what is not to love about this album? How can you not want to ride the hatch, just to try it out? Also, how can you not have mad respect for Sufjan Stevens? After releasing his album last year, he releases two this year! Over 60 songs in 2006 alone. And they're all pretty awesome. So admit it. You have a giant man crush on Sufjan Stevens. It's okay. I do too. But you already knew that.

For being awesome, Sufjan Stevens makes it to #17 on the list.

Top 31 Songs of 2006: #17

Bonnie "Prince" Billy - "Cursed Sleep" from the album The Letting Go.
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Bonnie "Prince" Billy: "The Letting Go"
Released: September 19, 2006

Come one, come all. Who wants to say it first? Josh? Adams? Jeffers? If you guys actually kept up with this blog then you'd probably be commenting the hell out of this post. So let me go ahead and say it. I really like Bonnie "Prince" Billy's latest album. Like, really! So excuse me for maybe hinting that I thought he sucked. Forgive me for whining every time one of you attempted to play it in the car while I was in the passenger seat. But don't forgive me totally just yet. I'm still holding to the fact that every album before "The Letting Go" is utter crap! Terrible, god awful crap! I don't know this for sure, but saying it accomplishes two things. 1.) It lets me maintain some dignity and helps my opinion remain at a superior level, and 2.) it keeps me from having to stop listening to this one. Because let me tell you, all of you, something. "The Letting Go" is a great album. And trust me, it's the only decent Bonnie "Prince" Billy album there is. The rest of them suck taint.

For keeping me humble, Bonnie "Prince" Billy lands at #16.]

Top 31 Songs of 2006: #16
The Hidden Cameras - "Fee Fie" from the album Awoo.
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I"m From Barcelona: "Let Me Introduce My Friends"
Released: June 12, 2006

The Polyphonic Spree sucked! They sucked worse than Mr. Big, and Mr. Big suuuuuuucked. So forgive me for having a little bit of apprehension before listening to I'm From Barcelona. There's over twenty people in this band (I think somewhere around 29 or so) so it's hard to take them seriously when you know that most of them won't do anything besides sing happy songs about Treehouses (which they do). But there's one thing that's absolutely certain about I'm From Barcelona, and that's the fact that they're undeniably irresistible. It's like listening to popcorn pop, then coating all of it in caramel. Let it cool, then eat it. You're eating I'm From Barcelona. How does it taste? Amazing? Yeah, I know. So forget the fact that it's one of those darned import albums. And forget the fact that there's way too many people in this band. If you let those two things hold you back, then you may very well be missing out on one of the coolest albums of the year. At the very least, you'll be missing out on one of the best albums ever made by a band with over twenty people in it. That's a promise. A promise from Cale. The best kind of promise!

For making me smile and want to climb a tree, I'm From Barcelona makes it to #15...that's the top half! Whoo!!!

Top 31 Songs of 2006: #15
The Flaming Lips - "The W.A.N.D." from the album At War with the Mystics.
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Tilly and the Wall: "Bottoms of Barrels"
Released: May 23, 2006

Anyone who's ever been to a high school talent show knows at least one thing for sure. Tap dancing gets old. It gets old really quick. So if Tilly and the Wall was planning on milking the tap-dancing thing for as long as they could, I'm glad someone talked them out of it. Don't misunderstand, the tap-dancing is still there, and still unique. However, whereas their first album seemed to rely too heavily on the gimmicky nature of said tap-dancing, "Bottoms of Barrels" expands the band's unique sound to where the tap-dancing takes a backseat to awesome melodies, great instrumentation, and fun vocal performances. To say Tilly and the Wall is a gimmick might have been a somewhat valid point before 2006, but now you just have to swallow your shame and admit that, yeah, they do kind of have some talent there. I mean, they were on Letterman's show a few months ago, and they did do a pretty jam-up job. So who's gonna say they are a gimmick now? They are legitimate, and "Bottoms of Barrels" is proof of that!

For holding it down, Tilly and the Wall tap dance their way to #14.

Top 31 Songs of 2006: #14
Headlights - "Songy Darko" from the album Kill Them With Kindness.
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Muse: "Black Holes and Revelations"
Released: July 11, 2006

The music media is strange. While many of these people have given golf claps to Muse in the past, it wasn't until 2006 that they started dishing out the accolades. Really? I was under the impression that they released "The Origin of Symmetry" and "Absolution." I guess I'm mistaken, because it really couldn't have taken these high and mighty douches this long to finally acknowledge Muse as a really great band. Could it? Who knows? All I know is that, for the most part, "Black Holes and Revelations" is a disappointment. Most of the pure rock energy that fed their previous albums was shelved for a more mainstream sound. That's cool and all, but is it really their best album ever, as many are saying? Nah. It's their third best. So I'll go ahead and say it again, "Black Holes and Revelations" is a disappointment. But when a disappointment sounds this good, you know that you're listening to one of today's most impressive bands, along with one of the only bands remaining that still plays rock music. Say what you want about what they sacrificed on this album, or what it's lacking, but Muse is still doing things their way. This album is really a testament to that. Did I mention that it's freaking awesome?

For making me hate them, then love them, Muse rocks their way to #13.

Top 31 Songs of 2006: #13
Sufjan Stevens - "Adlai Stevenson" from the album The Avalanche.
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Joanna Newsom: "Ys"
Released: November 14, 2006

Bring on the hate. I've been expecting it. Ever since I decided to put Joanna Newsom in the #12 spot over a month ago, I've pretty much known that many people would disagree with me. So I'd like to once again point out the superiority of my opinion in all things music. "Ys" is an amazing album. In only five songs, Joanna weaves intricate tales of meteors, or Monkeys and Bears and it all manages to sound cool. Yeah. Who would have thought that a creepy little house-ridden girl who plays the harp would be cool? I sure as hell didn't. So what if Joanna Newsom can't sing an "a" syllable? It's cute when she tries, right? Right! And I know that my initial reaction to her wasn't the most positive reaction possible, but come on! The bottom line is, Joanna Newsom is a fantastic, brilliant artist. Artistry of this caliber has not been seen elsewhere this year. Period! So do yourself a favor and experience "Ys."

For keeping me in awe, Joanna Newsom plucks her way into the #12 spot.

Top 31 Songs of 2006: #12
Cursive - "Dorothy at Forty" from the album Happy Hollow.
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Sia: "Colour the Small One"
Released: January 10, 2006

What a year for Sia Furler. Not only did the new Zero 7 come out to much critical acclaim (including a Grammy nomination), but her February 2004 release "Colour the Small One" finally made its way to the United States almost 2 years after its initial release. Some may argue that this really isn't a true 2006 release, but it is for me. And one of the great things about this album is that it has a very timeless sound to it. It's not a 2004-ish pop vocalist album, and nothing about it identifies it as a 2006 release. It's simply a really great album devoid of identifiable music trends. I've been listening to this album since I first got a hold of it around March of this year, and, to be honest, I haven't gotten tired of it yet. It's in my car stereo right now! That says a lot about the album, but it also says a whole lot about the talent of Sia Furler. So if there's one album you need to absolutely hear, it might just be this one. Who cares if it's three years too late? This is an absolutely brilliant album!

For showing her staying power, Sia graces the #11 spot.

Top 31 Songs of 2006: #11
The Streets - "Never Went to Church" from the album The Hardest Way to Make an Easy Living.
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Mates of State: "Bring It Back"
Released: March 21, 2006

"Bring It Back" was one of the first albums I ever reviewed, way back when Audio Overflow was still Cale is the Balls!!! As fate would have it, both Mates of State and myself remain the balls to this day! Of course, that's no special feat for a guy like me, but for a band that's one heck of an accomplishment! Back when it debuted, I hailed it as the first great album of 2006! As time passed, however, the undeniably catchy pop hooks of this duo began to wear a little thin on me. In fact, the only song from this album that I can still listen on repeat for hours is "Punchlines," a song I didn't even note as a Key Track when I reviewed it. So needless to say, a lot of things have changed since "Bring It Back" came out. But one thing is still certain; this is still a fantastic album. Any Mates of State fan who has yet to check it out isn't really a fan, and anyone else who hasn't heard it probably should be reading Rolling Stone, rather than Audio Overflow. Take my word for it (why wouldn't you?), "Bring It Back" is the most accomplished Mates of State album to date, as well as the most complex. So add it to your collection, or at least download it. Sure, I've moved on to bigger and better things for the most part, but it wasn't easy letting go of this one.

For staying adorable, Mates of State tip-toes their way into the top 10!

Top 31 Songs 2006: #10

The Decemberists - "Yankee Bayonet (I Will Be Home Then)" from the album The Crane Wife.
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Headlights: "Kill Them With Kindness"
Released: August 29, 2006

We're finally into single digits, and I can think of no better way to welcome them in than with one of my absolute favorite albums of the year (after all, it is #9). For over a year now, I've subscribed to Under the Radar Magazine, probably the last remaining music album today (because it's actually just about music). In that period, the magazine has helped me discover plenty of music that I otherwise would have been oblivious to. The Dears, The Divine Comedy, The Hidden Cameras, The Most Serene Republic, Isabelle Campbell, The American Analog Set, Bell Orchestre, and Calexico just to name a few (or a lot, depending on your perspective). This year, I "discovered" Headlights, and I've been in love with this band ever since. Their debut album, "Kill Them With Kindness," is an amalgam of all sorts of different music; be it shoe gazing pop songs, upbeat beach tunes, or synth-heavy 80s throwbacks. The cool thing about it though, is that they do them all so well, that it doesn't even sound like you're listening to a different band on every track. That puts it light years ahead of bands like Fountains of Wayne, who rely solely on the "mix-tape" album for their appeal. No, Headlights is by far one of the best new artists of 2006, and their near-flawless album should not go unnoticed (even though it basically has).

For being the best "renaissance band" around, Headlights makes it to #9.

Top 31 Songs of 2006: #9
The Dears - "Bandwagoneers" from the album Gang of Losers.
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The Dears: "Gang of Losers"
Released: October 3, 2006

Back in August, I released a little list that no one besides me read (because it was on this site). It listed my favorite Canadian albums of all time, and a little band called The Dears made it to #2 on that list with "No Cities Left." Then October rolls around and that same band drops "Gang of Losers" which, if it weren't for a couple songs, would undoubtedly be my #1 album of the year! Murray Lightburn just sings his heart out on this album, with such blind passion that it's both beautiful and frightening, often at the same time. When I first listened to it, I was really not all that impressed (I wasn't really listening). But for the sake of reviewing it, and because I'm a huge Dears fan, I kept on listening. My initial reaction was stupid! This album is better than "No Cities Left" in almost every imaginable way. The music is better, Murray's lyrics are better, and the girls are still unimaginably hot. So really, I know I've just been comparing this album to their last the whole time, but that's because The Dears are a band that's so unfathomably different (mostly by being simple, and earnest) from every other band today, that there is no appropriate comparison. Buy this album! Don't listen to 30 second clips on Amazon.com and then buy it. Just buy it. Because, honestly, "Gang of Losers" is an album that everyone can really enjoy, and it's an album that will rock your balls off and then make you cry about it. That's power!

For, well, rocking my balls off and then making me cry about it, I proudly present The Dears with my #8 spot.

Top 31 Songs of 2006: #8
My Brightest Diamond - "Something of an End" from the album Bring Me the Workhorse.
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Cursive: "Happy Hollow"
Released: August 22, 2006

Talk about irony. When I finalized my list for the top 31 of 2006, back in late November, I did the math to see which band would be revealed on Christmas Day. Turns out, it's Cursive, the band that single-handedly tore Christianity a new one this year. So maybe that's not your thing. That's cool, it's not really mine either. But come on, to deny the awesomeness of "Happy Hollow" is to deny your carnal desire to rock out! Sure, the lyrical content may not be to your suiting, but who doesn't like a full brass section blaring while some guy is screaming about the big bang theory? Personally, I can't think of a better way to hear about the big bang. "Happy Hollow" is not the happiest album, but it's one of the most forceful albums of the year and surprisingly more vicious than Cursive's previous album "The Ugly Organ." So if you refuse to listen to it simply because of the lyrical content, well, you're really missing out on something special. Heathenistic, for sure. But a special kind of heathenism. That's something to have a "Merry Christmas" about.

For rocking my (and Jesus') balls off, Cursive lands in the #7 spot.

Top 31 Songs of 2006: #7

The Divine Comedy - "To Die a Virgin" from the album Victory for the Comic Muse.
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My Brightest Diamond: "Bring Me the Workhorse"

Released: August 22, 2006

What is there to say about Shara Worden and My Brightest Diamond that I haven't already said? Her voice is amazing. Her character is confusing. Her lyrics are somewhat strange, and I love everything about it! My Brightest Diamond is the best album to come from a female solo-artist this year! Bar none! Forget all the hype about K.T. What's-her-name or Corinne Boring Rae, thier popularity and hype is pushed by a few million dollars and major record labels. My Brightest Diamond's hype is centered around her talent and unique style of music. She gets it out there by touring endlessly, and perhaps leeching off of Sufjan Stevens a little too much. But still, this girl amazes me everytime I listen to her album, which is something I can't say about those other two artists. With every listen, everytime you press play, you'll discover something new to love about My Brightest Diamond. You'll have a new favorite song every week! You'll realize things you never realized before (like how an eerie amount of songs is about cute animals dying). And if all that isn't enough, you'll want to see her live (like I did), and it will amaze you to no end (just how does a 5'0" girl sing like an opera fat lady?). Are you getting it? Do you understand? I'm telling to buy "Bring Me the Workhorse" without hesitation. It will change your life!

For making me believe in magic, My Brightest Diamond swoops into the #6 spot!

Top 31 Songs of 2006: #6

Sufjan Stevens - "No Man's Land" from the album The Avalanche.

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The Streets: "The Hardest Way to Make an Easy Living"
Released: April 25, 2006

It's not too often that I really like a rap album, or like one for more than a month for that matter. They are boring, uninventive, and generally lose all their appeal within a couple of listens. That's why so many rap stars are here today, gone tomorrow. Only the great live on in the hearts and minds of their fans years after they release an album. Go ahead and chalk up The Streets on my list of "Favorite Rappers Ever." This album is not Mike Skinner's first album, it's his third, and like most Americans who heard the first two, I was not pleased. Calling them rap was a disgrace to the rap genre (which itself is a disgrace to music). It was mostly a steady beat, and Mike talking. Yeah, not really my style, even if the lyrical content was through the roof (it was). But when "The Hardest Way to Make an Easy Living" came out, I was shocked to hear not only one of the catchiest rap albums I've ever heard, but also one of the funniest and the best. The fact that Mike is British should be a huge side note on this one. Sure, it's blatantly obvious that he is, but even if he wasn't, the album would still be awesome. So buy it. Please.

For totally blowing my mind, The Streets make it in the top 5.

Top 31 Songs of 2006: #5
Mates of State - "Punchlines" from the album Bring It Back.
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The Decemberists: "The Crane Wife"
Released: October 3, 2006

The Decemberists signed to Capitol Records? Who would've thought? Even more so, who would've guessed that the band whose sound was so anti-mainstream would not only sign with a major record label, but stay true to their sound? I wasn't one of those people. The Decemberists have long had a special place in my heart. They released 3 solid albums in the last couple of years, so I was eagerly anticipating "The Crane Wife." But even all my familiarity with the band couldn't prepare me for the greatness of this album! Find me a bad song on this one. I dare you! Go ahead and try, but you won't be able to find one. There's not even a low point on the album. Straight from the start, the album never lets up. Sure, their appearance on The Colbert Report was extremely underwhelming, but that's to be expected from a Colbert special report. So just forget about that! Forget about what? Exactly! Try buying it. You'll love it!

For being so good that I can't write about how good it is but I struggle and end up just typing a paragraph of nonsense, The Decemberists make it to #4.

Top 31 Songs of 2006: #4
The Flaming Lips - "Yeah, Yeah, Yeah Song" from the album At War with the Mystics.
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The Elected: "Sun, Sun, Sun"

Released: January 24, 2006

At the end of 2005, I was pretty clueless as to what great albums would be released this year. One thing I was eagerly anticipating, however, was the date January 24. On that day, the two important halves of Rilo Kiley would each release their own album. Jenny Lewis released "Rabbit Fur Coat" and Blake Sennet's "other band" would release "Sun, Sun, Sun!" Which one was I more eagerly anticipating? Jenny Lewis' album, to be sure. I loved The Elected's first album, but I had yet to hear what a Jenny Lewis solo album would sound like. I was pumped. Then the day finally came and Jenny Lewis did nothing but disappoint with her "I want to be an old-timey country singer" act. It got all the hype, however, while "Sun, Sun, Sun" was quietly swept under the rug of journalistic nonsense. Well, Audio Overflow wasn't around then, but it is now, and I'm here to say that "Sun, Sun, Sun" is not only worlds better than "Rabbit Fur Coat," but it's one of the absolute best albums to come out in 2006! Blake Sennet's songwriting skills have never been better, or more apparent, and the album flows from beginning to end with such whistful grace that it's easy to find yourself lost in it from time to time. It's been nearly a year since this album was released and it's still getting regular plays in my stereo! In a year where I've bought more albums than I did my first 18 years, that's saying a hell of a lot! So really, I know that Jenny Lewis rode the wave of hype this year all the way to Top 10 lists, but who are you going to trust? Trust me! The Elected stole the show on January 24, 2006, and now in December, they continue to pwn the hell out of Jenny Lewis. This is one album that everyone can enjoy!

For totally making me fall out of love with Jenny Lewis, The Elected is voted into the #3 spot.

Top 31 Songs of 2006: #3

The Elected - "Fireflies in a Steel Mill" from the album Sun, Sun, Sun.

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Zero 7: "The Garden"

Released: June 6, 2006

Read what I'm about to write. It's important that you do. I absolutely, positively did not like Zero 7's "The Garden" the first time that I listened to it. Not one bit. At that point, my only familiarity with the group was Sia Furler, whose album I had been digging for a few months, and that "In the Waiting Line" song from the Garden State soundtrack. That's it. So I'm not sure what I was expecting, initially, but it must have been much different than what I actually heard. You see, when I first heard the album, I thought "That's nice" and then set it aside. A few weeks later when I had nothing else to listen to, I put it in. Whoah! I was immediately enthralled by the elaborate compositions, Sia's amazing voice, and some great lyrics. Not to mention Jose Gonzalez, who finally gives us a reason to know who he is. Honestly, I have not been able to find an album this year that is as flawless as this one, including my #1. There is simply nothing to hate about "The Garden." Nothing. Perfect music and vocals. Never overboard. Never boring. It is, by far, the one album that everyone, and I mean everyone (my dad likes it), can enjoy from start to finish! If you haven't heard it, I hate you! If you've heard it and you dislike it, give me your name, address, and most convenient time to pay you a visit. And then listen to it again! In my review for "The Garden" I stated, "If you don't like Zero 7, you don't like music!" I'm sticking with that.

For blowing me away...eventually, Zero 7 lands at #2.

Top 31 Songs of 2006: #2

Camera Obscura - "Lloyd, I'm Ready to be Heartbroken" from the album Let's Get Out of this Country.
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The Flaming Lips: "At War with the Mystics"
Released: April 4, 2006

If you're at all familiar with me or my blog, you already had this one figured out a long time ago. I am absolutely in love with The Flaming Lips. Just when you thought they couldn't top 2001's "Yoshimi Battles the Pink Robots," they bust out this amazing album and you just can't help but love it. It will make you believe in the power of rock music again. Not just because it rocks your balls clean off (it does), but also because it's socially conscious without being too preachy, funny without being raunchy, and beautiful without being boring. All in all, it's one of the most amazing musical experiences that I've ever had, and one that will undoubtedly stay with me for years and years to come. Of all the albums that came out in 2006, only this one would have received a perfect 10 out of 10 Stars from me. In fact, of all the albums I've ever heard in my life, there's only about 3 or 4 other ones that could receive that honor. The Flaming Lips have blown my mind time after time, and every time I listen to "At War with the Mystics" I find new things to love about it. That's what being a musical genius is all about. Don't get it twisted, The Flaming Lips are the real deal. Even after two decades of being in the public eye, they continue to put out great music.

For that, The Flaming Lips cap off my list of the Top 31 Albums of 2006!

Top 31 Songs of 2006: #1
The Dears - "Ballad of Humankindness" from the album Gang of Losers.

Becoming a Staff Member for Audio Overflow

Hello, and thank you for your interest in becoming a staff member for Audio Overflow. Audio Overflow began as a personal blog of mine back in Spring 2006. I originally began reviewing music because I found that most music journalism is characterized by being too pretentious and out of touch with the average listener. For example, Pitchfork's review of Jet's Shine On will probably go down as one of the classiest reviews in journalistic history. Not only was it entirely self-absorbed, but it also provided no helpful information to a reader who might have actually wanted to know a little about the album.

Audio Overflow exists to provide the average reader with reviews and opinions that are universally helpful, and not self-gratifying. As a writer for Audio Overflow, your primary goal would be to provide the best content to readers while maintaining your integrity as a writer and music-listener. Additionally, as a writer for Audio Overflow, you will write about music that interests you.

Responsibilities of an Audio Overflow staff member include:

• Providing readers with quality content that would allow them to make informed decisions on current music.
• Actively promoting the site on various other sites such as, Myspace, Facebook, or message boards.
• Participating in, or contributing to, staff articles such as Lists, Music News, and Site News.

There is currently no way to provide payment to you for your services, should you be brought on as a staff member. Audio Overflow is a labor of love for myself, and should be for additional staff as well.

If you have any further questions, or would like to inquire about open positions at Audio Overflow, please contact me at audiooverflow@gmail.com. Thank you again for taking the time to read this. I look forward to hearing from you.

--Cale Reneau

What Happened?

?

Hello, Coaster! Welcome to Houston. We missed you!

Kemah announces a plan for a new wooden roller coaster as soon as Spring 2007. Thank goodness!

Source: Amusement Today

Kemah Boardwalk building wooden coaster (DEC 7, 2006) The much-anticipated news is finally official. Amusement Today has confirmed that The Landry's Restaurant's-owned Kemah (Texas) Boardwalk is building a wooden coaster for the 2007 season.

The coaster will be located on a tight footprint next to the Saltgrass Steak House. Kemah plans for a late spring or early summer 2007 opening.

The contractor overseeing the complete project is Martin & Vleminckx Rides, LLC based in Haines City, Fla. The design of the ride was completed by Cincinnati, Ohio based-The Gravity Group. The yet to be named coaster will feature two, six-car trains (800 pph capacity) from Philadelphia Toboggan Coaster Co. The ride's safety system will be provided by Orlando's Entech. Bullock Smith & Partners in Knoxville, Tenn. provided Kemah with conceptual and other thematic drawings for the ride.

Concrete work for the ride's footings is underway and was contracted to Houston-based Bobcat Concrete. Erection of the ride's wooden structure by M&V is schedlued to begin next week.

The western-themed coaster will stand 96 feet tall, feature a first drop of 92 feet, reach speeds of 51 miles per hour and travel a track layout of 3,236. But the most impressive fact the coaster has is a result of its less than one-acre footprint that results in the most number of track crossovers ever designed into a wooden coaster. It will also feature several themed tunneled sections.

"The design team has developed a plan to give the Kemah Boardwalk a great wood coaster experience in a very tight footprint. The design incorporates countless crossovers, direction changes, and several tunnels. Tim Anderson, general manager at the Kemah Boardwalk told AT. "In addition, the coaster is being constructed within a few feet of Galveston Bay providing a great seaside view. I believe that this will be the coolest coaster on the coast and will be an exciting feature for our 3 million visitors per year.”

See the complete story in the Jan. issue of AT.

"The Talk"

“We need to talk,” she said, pushing her things aside to a location on the table in which they could not be considered an obstruction or distraction to the conversation she felt it necessary they have.

He, of course, lauded the opportunity for any sort of conversation of a non-educational nature, this having been his sole purpose in agreeing to meet with her on this particular day. For months, he had awaited such an opportunity to arise, but had been impeded by her insistence that their meetings follow a strictly educational format, so as not to upset her somewhat-significant other, James. But James was nowhere in the vicinity of their meeting place today, and he felt fairly confident that after months of subtle persistence he would finally receive some sort of confirmation that she considered him to be much more than the mere study buddy he always secretly feared himself to be.

He was quiet by nature, though only in situations which were new to him. Once accustomed to a certain condition or environment, he would display the part of himself that he thought truly defined him. This rare aspect, which he held with the utmost pride, was unfortunately hindered by the rush of unfamiliarity brought on by semester after semester of new people and places on a campus far too large to cater to any form of adjustment that he may have considered.

They had met during his very first semester, in a Biology class that he neither cared for nor thought as essential to making the most of his proposed English degree. He trudged through a week of class before being fortunate enough to have her take the seat next to him. He saw her entering the lecture hall. She was beautiful, a classic, with seemingly no concern for modern trends or the ways in which the majority of her peers believed a young woman should portray herself. With his eyes fixed, he began to realize that her path was leading her in his general direction. This sudden realization was met with an equally as sudden head movement that resulted with him staring intently at the papers that he had set before him, though through the corner of his eye, still maintaining his observation of the beautiful thing that continued towards him.

She sat down.

She said nothing, as did he, yet he could feel himself growing anxious after just moments of quiet frustration. This was his flaw, as he perceived; the inability to act in a situation in which he was sure that a benefit would be derived simply by carrying out this action, any action. It was his shyness, or so he had made himself believe. Yet despite his persistent reliance on this justification, he was driven to say something, anything, if only for the sole purpose of gaining a friend amongst thousands of strangers. He sorted through his rather extensive vocabulary of greetings but finally settled on “hello,” which he felt was the friendliest.

“Hello,” she replied, smiling and looking in his eyes, because she valued when people paid her the same courtesy.

They introduced themselves and began talking about an assignment that had been given to them the previous time their class had met. Before the class began, he discovered that they shared a mutual hatred for the class that they were both required to take for their majors, which focused on subjects that they found to be much more intriguing than the one to which they were then forced to bear. They remained silent for the majority of the lecture that followed so as not to miss a single detail, which in their case could send either one of them into a tailspin of horrible grades and parental nagging.

By the end of that day, long after they had gone their separate ways, he had already played out the next few months in his mind. After a few more classes together, they would begin seeing each other outside of the lecture hall, be it at the cafeteria or at a random spot on campus. A friendship would develop, and shortly thereafter it would not be uncommon to hear either of them refer to the other as anything but a close friend. It was exactly as he had hoped for back in the class when he first saw her enter the room. He thought about how lucky he was to have met her and have her accept him for who he was. He thought about becoming more than friends, which was accompanied by the same anxiousness that had momentarily crippled him when they first met. He thought about loving her and having her love him back. He thought about life and how lucky he would be if she would always be a part of his. He thought, but when he stopped, there was nothing; a cold ceiling, darkness, and the familiar smell that continually floated about his dorm room, but beyond that, nothing. This was not unusual for him, as he typically saw every young woman as potential for a friend, or a lover. But more often than not, his ideas were of something far greater than he allowed himself to obtain. He was alone, and he hoped for more.

The next week, he waited for her in class. To his surprise, she sat next to him and seemed genuinely happy to see him. They discussed the class and the troubles that it brought them. After the class dismissed, but before they parted ways, they made plans to meet in the library two days later to study for an upcoming exam, which was almost sure to destroy their hopes of graduating with a respectable grade point average. She was late to their meeting, but showed up just in time to see him walking out of the building. She apologized and offered to buy him some coffee from the coffee shop on campus. He refused but graciously thanked her for the offer.

They both passed the test by a fairly significant margin and, as such, decided that there would be no sense in discontinuing their meetings, which they both seemed to be benefiting from. They became friends.

When the semester came to a close, they went to their respective homes for the holiday, only to find each other again the next semester in Algebra class, which neither showed an interest in but were required to take nonetheless. It was here that he first learned of James, whom she had met towards the end of the previous semester and developed a relationship over the course of the month-long holiday. He was distressed but looked forward to continuing his friendship with her, even though he secretly longed for more.

They continued to meet on a weekly basis in the library to go over assignments and brush up on their algebra skills, which they both openly admitted to lacking completely. Soon these meetings became more than a way to pass a course, but a way for him to keep her close to him, even as another was pulling her farther away. He loved her. For the first time in his life, he felt an honest connection with a person that he knew had strong feelings for him as well. Though the situation was not ideal, it was all he had for the moment. Week after week they would talk, just the two of them, about algebra, sure, but there were moments in which he would make a clever comment and she would laugh, or when she would talk about her life and he felt he could listen forever. But this never amounted to much.

He longed for more than what they had, a way for him to show her how he truly felt and a way for her to accept his confession without the thought of James ever coming into her mind. And he thought he had his chance.

“We need to talk,” she said.

He watched her push her things aside and he did the same. There was nothing between them now. It was just the two of them. She looked into his eyes, because she always thought it was polite to do so. She grabbed his hand and opened her mouth to speak. He never heard what she had to say. By the time he had finished shuffling through all the potential greetings in his mind, it was already too late. The professor had begun to speak, so he looked up from the papers he had placed before him.

One More Reason to Hate Ray Nagin

Source: www.cbsnews.com

"On a tour of the decimated Ninth Ward, Nagin tells Pitts the city has removed most of the debris from public property and it’s mainly private land that’s still affected – areas that can’t be cleaned without the owners' permission. But when Pitts points to flood-damaged cars in the street and a house washed partially into the street, the mayor shoots back. "That’s alright. You guys in New York can’t get a hole in the ground fixed and it’s five years later. So let’s be fair."

The Shins Break My Heart

There have been a lot of albums I've eagerly anticipated this year. Muse's album was way up on my list as was Cursive's. But the one album that stood out as my most anticipated album of 2006 was The Shins' next album.

Turns out, I'll have to wait until 2007 for that one.

According to some Yahoo! News source (the #1 source for news), The Shins have pushed the album "Wincing the Night Away" back to early 2007. Originally, it was expected in August, then it was pushed back to October. Now this.

The Shins break my heart.

Let's hope its worth the wait.

Oh Sega! What Happened?

I went into some strange fit the other day and decided that I'd like to plop down $60 on a Sega Dreamcast, 22 games, 3 VMUs and 2 controllers. A pretty fine deal if you ask me. Of course, this got me thinking...why was Dreamcast such a failure? The answer may surprise you.

Dreamcast didn't have to be.

From what I've looked at, Dreamcast's biggest failure is not that it underperformed the competitors or didn't have great titles. Dreamcast's biggest failure is that Sega decided to pull the plug, perhaps a bit prematurely.

Dreamcast launched in North America on September 9, 1999 (9.9.99...remember??) and Sega stopped production in March of 2001. That's less than 2 years!! Hardly a console run, if you ask me. Of course, Sega had just come off the heels of a terrible run with their lackluster Saturn system and didn't want to waste their money on another system that looked to be doomed. However, the looming launch of PS2, which is only moderately more graphically advanced than Dreamcast, cast its powerful shadow on Sega and the company decided to pull the plug .

In its 1 1/2 years, Dreamcast was a powerhouse. The level of games that were released for the system were of an incredible caliber. Jet Grind Radio, 2k Sports, Soul Caliber, and tons of other games made their way to the system, and people were buying, but Sega decided that they weren't buying enough. Due to what they considered poor sales, they pulled the plug early.

Dreamcast	10,600,000	7%
PS2	91,390,000	64%
Xbox	21,900,000	15%
GameCube	18,800,000	13%

Look at that! In 1 1/2 years, Dreamcast sold more than half of what the GameCube did and what the Xbox did. The difference is that both the Xbox and GameCube were released in November of 2001, giving them over 5 years to sell systems.

In this light, Dreamcast wasn't failing at all. On the contrary, it was raping! Sure, the system is technically less-powerful than all three of its competitors, but its game library was huge and great! In its year and a half, it hosted over 200 games!! Let's see Xbox 360 pull that one off. If Sega had played its cards right, and maybe waited it out a bit, there's no doubt in my mind that Dreamcas would have come in 2nd or 3rd in the console race for that generation. With sales at that rate, all they had to do was build a library of acclaimed games and bring people in.

It's a shame really. Sure, I've always been a Nintendo fanboy at heart, but there's no denying some of the innovative features of the Dreamcast. For 1999, that's pretty incredible. Would I buy a Sega console if they decided to get back in the business? Who knows? All I know is that the Dreamcast is an amazing system, and one that should have gotten a better chance.

I found three Dreamcast controllers on some random shelf at Wal-Mart the other day. They were marked down to $6.99 and looked like they had been sitting there for the better part of a decade, but they were there and they were new!!

Wal-Mart on Sawdust Rd. in Spring, Tx hasn't given up on you Sega, and neither have I!!

Thank you for the Dreamcast.

--Cale

Britney Spears Does Drugs!

The State of the World Pt. 2

Anyone remember that Equire issue with Britney Spears on the cover? You know, the one where she's topless and all that nonsense? Sure you do! Anybody check her out on the new Vanity Fair? Sure you did! Now, let's do some scientific calculations or something else that's just as unnecessary to determine what the difference between your reaction to the Esquire issue and your reaction to the Vanity Fair issue. Did you see the Vanity Fair issue, the one where's she's as naked as she's ever been...but pregnant, and let out an emphatic "Daaaaayym!" to rival the categorically similar response to the Esquire magazine?

If you're me...probably not.

And it's not that Britney Spears is ugly, or that I'm repulsed by pregos, I'm not. In fact, I thought the pictures of Britney on VF were some of the best of her in a long time. SO why the response? I don't know. I think it has a lot to do with the fact that now that I've seen Britney Spears for what she really is (a tacky, no-shoe-wearing, bearskin birth-giving, stupid, trailer baby), well...I'm just not interested in the whole checking out Britney Spears thing. I mean, now that I've seen repeatedly photographed as a disgusting individual, there's no fantasy curtain there anymore.

Remember the good ol' days where you'd turn and see a Britney Spears video and be entranced for 3 1/2 minutes? Remember the VMAs where she was consistently hot with every appearance? Yeah, not so much now'a'days. It's a shame, and from what I've been reading, and from what I've been hearing, I'm not the only one who feels this way.

I heard Britney Spears comment a few months back about the state of pop music, and it was something along the lines of:

"The current state of pop music is saddening. I can't wait to get back out there and revitalize the genre."

While we all know that when Britney Spears finally does drop 75 lbs and learns to dance again there will be a new hoarde of 11-year-old girls to greet her, I really can't help but wish that that's not the case. Personally, I find the current state of pop music to be entirely satisfactory. Since Britney left the scene there have been plenty of talented females to take her place. Natasha Bedingfield, for example, has flooded the airwave with music that is not only meaningful and inspirational, but good. I mean, she can sing, so she already has the upperhand against Britney. Then there's Christina Aguilera whose latest single is much better than anything Britney has even thought about doing. Gwen Stefani, Stars, Metric, The New Pornographers, and others are slowly climbing the ranks into all-out stardom, while Britney sits at home and eats the leftover Cheetos on the floor.

And she thinks she can come in and be pop music's savior? More like antichrist!

At best, Britney will come back and try her hardest to immitate Madonna, busting out with her own "Confessions of a Dance Floor" (an absolutely ludicrous title). So is there anything in Britney's future besides snack foods, babies, and the undeniable rip-off of Madonna? I hope not. Certainly, I've had my fair share of Britney.

I hope the rest of the world follows my lead.